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Rabu, 04 Juli 2018

15 Unforgettable Little Black Dresses Photos | Vanity Fair
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A small black dress ( LBD ) is a black evening gown or cocktail, cut simple and often short enough. Fashion historians regard the origin of this small black dress in 1920s designs Coco Chanel and Jean Patou are meant to be durable, versatile, affordable, accessible to the widest possible market and in neutral colors. Everywhere is as it is often referred to simply as "LBD".

The "small black dress" is considered essential for the complete wardrobe by many women and fashion observers, who believe that "fashion rules" that every woman should have a simple and elegant black dress that can be worn or lowered depends on the occasion: for example, worn with a jacket and pumps for daytime business use or with decorations and accessories that are more ornate for evening or formal events such as weddings or balls.


Video Little black dress



Histori

Black has always been a rich color of symbolism. At the beginning of the 18th century, black color represented romance and art. As Ann Demeulemeester said, "Black poetic, how do you imagine a poet? In a bright yellow jacket? At the beginning of the 19th century, black was adopted by Romantics like Byron, Shelley, and Keats, due to its melancholic aura. When the Victorian Era began, the black transition from art color to sadness and mourning - widows were expected to wear black for at least four years - as well as for service uniforms, as uniforms for helpers.


In 1926, Gabrielle "Coco" Chanel published a short and simple black short dress in America Vogue . It's calf-length, straight and only decorated by some diagonal lines. Vogue calls it "Chanel's Ford". Like the Model T, the small black dress is simple and accessible to women of all social classes. Vogue also says that the LBD will be "a kind of uniform for all women tastes". This, as well as other designs by Chanel's house help separate the black with mourning, and recreate it as an upscale, rich, and chic uniform. As Coco himself proclaims, "I am forcibly black, still strong today, because black erases everything around." Chanel is credited with the creation and popularization of the Little Black Dress, and rightfully so.

The small black dress continued to be popular through the Great Depression, especially through economy and elegance, albeit with a somewhat extended line. Hollywood's influence on fashion helped the popularity of the small black dress, but for more practical reasons: when Technicolor films became more common, filmmakers relied on small black dresses because other colors seemed distorted on the screen and damaged the coloring process. During World War II, this style continued partly because of extensive textile rationing, and partly as a general uniform (accessor for business attire) for civilian women entering the workforce.

The emergence of the Dior's "New Look" in the postwar era and the 1950s sex conservatism restored the small black dress to its roots as a dangerous female uniform and symbol. Fatal Hollywood feminist characters and fallen women are often depicted in black halter-style dresses, in contrast to more conservative dresses from housewives or healthier Hollywood stars. Synthetic fibers became popular in the 1940s and 1950s expanding the availability and affordability of many designs.

The generation gap of the 1960s created a dichotomy in the design of a small black dress. The younger "mod" generation is preferred, in general, miniskirts on their versions of clothing and designers serving youth culture continue to push the envelope - shortening even more skirts, making cuts or slits in skirts or corset dresses, using thin fabrics like nets or tulle. Many women aspire to a simple black sheath dress similar to Givenchy's black dress worn by Audrey Hepburn in the movie at Breakfast at Tiffany's.

The popularity of casual fabrics, especially knits, for clothing and business clothing during the 1980s brought a small black dress back into fashion. Coupled with a fitness penchant, new designs incorporate the already popular details of the time like broad shoulders or peplum: at the end of the decade and into the 1990s, simpler designs in varying lengths and fullness are popular. The grunge culture of the 1990s saw a combination of a small black dress with sandals and combat boots, although the dress itself remained simple in pieces and fabrics.

The recent glamor of the late 1990s led to new variations of dresses but, like the 1950s and 1970s, the colors reappeared as a factor in fashion and formal dress and repeatedly showed an aversion to black. The awakening of the conscious clothing of the body, the muffled color scheme, and the dominant black reappearance, along with the retrospective trends of the 1980s in the late 2000s paved the way for the return of interest to dress.

Maps Little black dress



The famous little black dress

Black Givenchy's dress Audrey Hepburn as Holly Golightly at Breakfast at Tiffany's, designed by Hubert de Givenchy, symbolizes the standard for wearing a small black dress equipped with pearls (together called the "black base"), such as often seen in the early 1960s. The dress set a record in 2006 when it was auctioned for £ 410,000, six times the original estimate. Betty Boop, a cartoon character based in the 1920s, "This Girl" Clara Bow, was pulled in a small black dress in the early films, though with Technicolor later, Betty's dress became red.

Wallis Simpson, Duchess of Windsor, is known to have some small black dresses and says a lot of complimenting clothes. One quote from Duchess: "When a small black dress is right, nothing can be worn in its place." Edith Piaf, a French folk icon, appeared in a black veil dress throughout his career: for this habit he was nicknamed the "little black church". It is estimated that the dress helps the audience focus more on the Piaf singing and less on his performance.

In an incident at London's Covent Garden theater in 2004, a director fired soprano Deborah Voigt who was then very ferocious from the opera because he could not get into the "little black cocktail dress", replacing it with the slimmer Anne Schwanewilms.

elegant little black dress Naf Dresses
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See also

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References




Further reading

  • Edelman, Amy Holman (1998). The Little Black Dress . Aurum. ISBNÃ, 1-85410-604-X.
  • "Little Black Dress Beyond Fashion". About.com. May 2006
  • "Sixties Fashions". June 2, 2006.
  • "The Little Black Dress". Female Clock Radio
  • "Small Black Dress Myth". Jane Curtain . Fashion Culte Magazine. November 2014.

Source of the article : Wikipedia

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