Samuel " Billy " Wilder ( ; German: The Apartment , Wilder became the first to win the Academy Awards as a producer, director and screenwriter for the same movie.
Wilder became a screenwriter in the late 1920s while living in Berlin. After the rise of the Nazi Party, he went to Paris, where he made his directorial debut. He moved to Hollywood in 1933, and in 1939 he got hit when he co-wrote the screenplay for the romantic comedy film Ninotchka , starring Greta Garbo. Wilder upholds the director's reputation with the adaptation of James M. Cain Double Indemnity (1944), a film noir. Wilder co-wrote the scenario with criminal novelist Raymond Chandler. Wilder earned Best Director and Best Screenplay Academy Awards for the adaptation of Charles R. Jackson's The Lost Weekend (1945), on alcoholism. In 1950, Wilder co-wrote and directed the critically acclaimed Sunset Boulevard, as well as Stalag 17 in 1953.
Since the mid-1950s, Wilder made most comedy. Among the classic Wilder created during this period are the Seven Years Itch (1955) and Some Like It Hot (1959), and satirites like The Apartment (1960). He directed fourteen different actors in the Oscar nomination show. Wilder was acknowledged with the American Film Institute (AFI) Achievement Award in 1986. In 1988, Wilder was awarded the Irving G. Thalberg Award. In 1993, he was awarded the National Medal of Arts.
Video Billy Wilder
Kehidupan dan karier
Austria dan Jerman
Samuel Wilder was born on 22 June 1906 in an Austrian Jewish family in Sucha Beskidzka, son of Eugenia ( nÃÆ' Â © e Dittler) and Max Wilder. She was nicknamed "Billie" by her mother (she turned this into "Billy" upon arriving in America). He has an older brother, William Lee Wilder (1904-1982), who is also a screenwriter, film producer and director. His parents owned a successful and famous pastry shop at Sucha railway station and failed to try to persuade their son to join the family business. Soon the family moved to Vienna, where Wilder attended school. Instead of attending the University of Vienna, Wilder became a journalist. To advance his career, Wilder decided to move to Berlin, where, before his success as a writer, he allegedly worked as a taxi driver.
After writing crime stories and sports as headlines for local newspapers, he was finally offered a permanent job in the Berlin tabloids. Developing interest in movies, he began working as a screenwriter. He collaborated with several other novices (with Fred Zinnemann and Robert Siodmak) on the 1929 feature People on Sunday. He wrote the screenplay for the 1931 film adaptation of the novel by Erich KÃÆ'¤stner, Emil and Detective. After the advent of Adolf Hitler, Wilder, Jew, departed for Paris, where he made his directorial debut with the 1934 film Mauvaise Graine. He moved to Hollywood before being released.
Her mother, grandmother and stepfather all died in the Holocaust. For decades it was assumed that it happened at Auschwitz, but when researching the Polish and Israeli archives, Austrian biographer Andreas Hutter discovered in 2011 that they were murdered at a different location: his mother, Eugenia "Gitla" Siedlisker - in 1943 at Plaszow ; his stepfather Bernard Berl Siedlisker, in 1942 at Belzec and his grandmother Balbina Baldinger, died in 1943 at the ghetto in Nowy Targ.
Hollywood Career
After arriving in Hollywood in 1933, Wilder continued his career as a screenwriter. He became a naturalized American citizen in 1939, having spent time in Mexico waiting for the US government after his six-month visa expired in 1934, an episode reflected in his 1941 Hold Back the Dawn. Wilder's first significant success was Ninotchka in 1939, a collaboration with fellow German immigrants Ernst Lubitsch. This romantic comedy starring Greta Garbo (commonly known as a tragic hero in film melodrama), and popular and critically acclaimed. With the byline, "Garbo Laughs!", It also brought Garbo's career into a new direction. The film also marks the nomination of Wilder's first Academy Award, which he shared with coauthor Charles Brackett (though their collaboration on Bluebeard's Eighth Wife and Midnight has been well received). For twelve years Wilder co-wrote many of his films with Brackett, from 1938 to 1950. He followed Ninotchka with a series of box office hits in 1942, including his book Hold Back the Dawn and Ball of Fire , as well as their debut directorial feature, The Major and the Minor .
His third film as a director, Double Indemnity (1944) was a big hit. A film noir , nominated for Best Director and Screenplay, was co-written with Raymond Chandler's mystery novelist, though the two men did not get along. Double Indemnity not only sets the conventions for the noir genre (such as "venetian blind" lighting and voice-over narration), but also a landmark in the battle against Hollywood censorship. The original James M. Cain novel Double Indemnity shows two love triangles and a premeditated murder for insurance money. Although this book is very popular among the reading community, it is deemed unenforceable under the Hays Code, since adultery is central to its plot. Double Indemnity is credited by some as the first true film noir, incorporating elements of the Citizen Kane style with the narrative element The Maltese Falcon (1941).
During the liberation of the concentration camp in 1945, the Department of Psychological Warfare (PWD) of the United States Department of War produced an American propaganda documentary film directed by Billy Wilder. Movies known as Death Mills, or Die Todesmäsählen, are intended for German audiences to educate them about the atrocities committed by the Nazi regime. For the German version, Die TodesmÃÆ'¼hlen , Hanu? Burger is credited as a writer and director, while Wilder oversees editing. Wilder is credited with the English version.
Two years later, Wilder was awarded Best Director and Best Screenplay Academy Awards for the adaptation of Charles R. Jackson's The Lost Weekend (1945), the first major American film to have a serious examination of alcoholism. , another difficult theme under Production Code. In 1950, Wilder co-wrote and directed the dark and cynical Sunset Boulevard, which incorporated William Holden's rising star with Gloria Swanson. Swanson portrays Norma Desmond, a solitary silent movie star, with his imaginary grandeur of old, the dream of returning. Holden plays an aspiring scriptwriter who can not fulfill his needs and be the one he cares for. It was critically acclaimed, and marked the end of Wilder's long writing partnership with Charles Brackett. In 1951, Wilder followed Sunset Boulevard Ace in the Hole (a.k.a. The Big Carnival ), a story of media exploitation of a hooked accident. The idea for the film had been aired by phone to Wilder's secretary by Victor Desny. Desny sued Wilder for violating implied contracts in the California copyright case of Wilder v Desny , finally receiving a $ 14,350 settlement. Despite the critical and commercial failures of the time, his reputation has grown over the years.
Style of director
Next life
Maps Billy Wilder
Personal life
Wilder married Judith Coppicus on December 22, 1936. The couple had twins, Victoria and Vincent (born 1939), but Vincent died shortly after birth. They divorced in 1946. Wilder met Audrey Young at Paramount Pictures on the set of The Lost Weekend in 1945, and he became his second wife on 30 June 1949.
Death
Wilder died in 2002 of pneumonia at the age of 95 after struggling with health problems, including cancer, at his home in Beverly Hills, California. He was buried at the Cemetery of Westwood Village Memorial Park in Westwood, Los Angeles near Jack Lemmon and Walter Matthau. Marilyn Monroe's tomb is located in the same cemetery. Wilder died on the same day as two other comedy legends: Milton Berle and Dudley Moore. The next day, the French newspaper Le Monde was titled the first page obituary, "Billy Wilder died. Nothing is perfect." - to quote the last sentence in Some Like It Hot .
Legacy
Wilder holds a significant place in Hollywood censorship history to extend acceptable reach of material. He is responsible for the two most up-to-date movies of Noir on Double Indemnity and Sunset Boulevard . Together with Woody Allen and Marx Brothers, he leads the list of films on the list of 100 American American films of funny films with five films written and holds the honor of holding the top spot with Some Like it Hot . Also on the list are the The Apartment and The Seven Year Itch he directed, and Ball of Fire and Ninotchka he wrote together. The American Film Institute has ranked four Wilder films among their top 100 American films in the 20th century: Sunset Boulevard (No. 12), Some Like It Hot (no. 14), Double Indemnity (38) and The Apartment (No. 93). For the tenth anniversary edition of their list, AFI moved Sunset Boulevard to No. 16, Some Like it Hot to No. 22, Double Indemnity to No. 29 and The Apartment to No. 80.
Spanish filmmaker Fernando Trueba said in his acceptance speech for the 1993 Academy Award for Best Foreign Language Film: "I want to trust God to thank him, but I just believe in Billy Wilder... so, thank you Mr. More wild." According to Trueba, Wilder called him the day after and told him: "Fernando, this is God." French filmmaker Michel Hazanavicius also thanked Billy Wilder in his Best Picture Oscar 2012 speech for The Artist by saying "I want to thank the following three people, I want to thank Billy Wilder, I want to thank Billy Wilder, and I want to thank Billy Wilder. "Wilder's 12 Academy Award nominations for screenwriting were a record until 1997 when Woody Allen received the 13th nomination for Deconstructing Harry .
Movieography
Awards
Wilder received twenty-one Academy Award nominations; eight for Best Director, twelve to write, and one as a producer of the Best Picture. With eight nominations for Academy Award for Best Director, Wilder is, along with Martin Scorsese, second most nominated director in Academy Awards history, behind William Wyler, and the second most nominated second screenwriter behind Woody Allen.